Simile - contrasting to seemingly unalike things to enhance the meaning of a situation or theme using like or as What happens to a dream deferred, does it dry up like a raisin in the sun Hyperbole - exaggeration I have a million things to do today. Personification - giving non-human objects human characteristics America has thrown her hat into the ring, and will be joining forces with the British.
Choice of Diction In analyzing fiction, the first thing that the reader should consider is the writer's use of diction. Diction refers to the words that the writer chooses to use in his or her writing. For example, a story about an inner-city teenager may include profanity or vulgarity.
This type of diction might be used in order to create a sense of realism by capturing how a specific character might actually talk and interact with other people. To produce a very different effect, the same kind of story may also be told using formal language that would reflect a more distanced, or omniscient perspective.
A story that relies on formal language may do so to establish a kind of separation between the narrator and the chacters. The writer may not be concerned with relaying realism and authenticity, but may instead want to clearly present a message about life in the inner city using methods such as third person omniscient point of view.
Other types of diction that the writer may use and that the reader should consider in analyzing his or her style are obscenities, contractions, conversational and colloquial language, and formal, educated and informal language choices.
Sentence Style When analyzing the sentence style of a short story, the reader should look at the length and style of each sentence. Writers may use sentences varying syntax and different lengths. There are a variety of different sentence structures, including fragments, simple, compound, periodic and cumulative sentences, as well as sentences that present items in a series.
Just as with diction, a writer's decision to use different sentence styles depends on the type of effect that he or she wants to create.
Paragraph Style When analyzing the style of a short story, the reader should look at paragraph length in addition to sentence structure. Some paragraphs may be short, a sentence in length, and some may be long, stretching a page or more.
In analyzing the paragraph style, the reader should look at any shifts in time or place and changes in action or point of view.
The point of view may shift from one paragraph to the next, from one character to the next, and sometimes the story may shift in time, moving from present tense to future tense or from past tense to present tense.
Cite this Article A tool to create a citation to reference this article Cite this Article.What Is a Short Story? A short story is a work of short, narrative prose that is usually centered around one single event. It is limited in scope and has an introduction, body and conclusion.
Although a short story has much in common with a novel (See How to Analyze . Stylistic Analysis of Leo Tolstoy’s Short Story:God Sees the Truth, but Waits. Jyoti Jayal (Research Scholar) The English and Foreign Language University. . Writing a critical analysis of a short story is a way to expand on simply reading the story.
It is also a place to express your ideas and thoughts about the author and story. A critical analysis suggests that the short story's "hidden" message can be decoded by an outside source.
successful literary analysis essay.
Summary If a key event or series of events in the literary work support a point you are trying to make, you may want to include a brief summary, making sure that you show the relevance of the event or events by explicitly connecting your summary to your point.
In this article stylistic analysis of short story ‘The Last Word’ by Dr. A. R. Tabassum is performed. The formative elements of the story, such as point of view, characters and allegorical element, are discussed in detail so as to give a better insight of the story.
Mar 22, · Oscar Wilde’s The Nightingale and the Rose, similar to other Oscar Wilde’s short stories, is written in an aesthetic voice. Throughout the story, Oscar Wilde employs various stylistic devices for the expression of aesthetic concept.